Side effects may include the emasculinating phenomenon of weeping like a little baby, depending on your emotional connection to the source material. Should be a sure thing for Squareheads and those with a sweet tooth for touchy-feely melodies on a well-recorded grand. I'm not an FF music fan myself, but I can see how other fans could dub this as emotive."Įxcellent playing - I think most of the panel felt that the arrangement was a little conservative, so this would be an area where future submissions could improve, but for a first ReMix this is a pretty mature, intimate, and accessible take of a well-known theme. Nice activity throughout the last 3 minutes or so, before slowing things down for the dramatic finish. In use with midi controllers and vst plugins.
#Ayeris theme pro
Can be used in FL Studio, Ableton Live, Pro Tools, Reaper, Cubase, Propellerhead Reason, Logic, Sonar, Audacity software. The abrupt/drastic change in key at 3:40 didn't work at all, but what came after that was strong. Various rhythms for music production, synthesia, yamaha, roland, korg, casio keyboards, among others. Well done integration of "The Prelude" from 2:21-3:05, followed up by some excellent rearrangement of The Prelude all the way until 3:35. Great way to slowly escalate things at 1:48. Aerith Gainsborough, alternately known with the first name Aeris, is a playable character in Final Fantasy VII and Final Fantasy VII Remake.She is one of the lead protagonists of the novel Final Fantasy VII Remake Trace of Two Pasts, and a major character in the Compilation of Final Fantasy VII, appearing in Final Fantasy VII: Advent Children, Crisis Core -Final Fantasy VII-and Before Crisis. Thientam, who goes by the alias Surenix, is also the designer of the popular theme Ayecon. This theme comes from a talented designer by the name of Thientam Bach.
Larry gives us the point-by-point, John Madden analysis: "Very quiet but excellent first few minutes. Ayeris is by far my favorite theme for a Jailbroken iDevice. It's recorded very cleanly, if low at times, and features an impressive command of dynamics, especially in terms of the minute, shades-of-gray gradations between piano, mezzo piano, etc., and even injects a little prelude into things, blending in the infamous introductory arpeggios shamelessly and effectively. Another year bites the dust :) I'll be posting another mix right after this one with some post-2004 commentary, so let's jump straight to the music: newcomer Kevin Lau gives us a touching, sentimental solo piano arrangement of the innately touching and sentimental Aeris theme from FF7.