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Reggie was your more common or garden swaggering, violent bully, and, later, a vicious killer.įrom its opening frames, which depict the brothers in the back of a car, it’s easy to buy Hardy’s dual performance, and it doesn’t get in the way of the film – although some actor-ly exuberance in the delivery of Ronnie can sound an off-note, with Hardy using some facial prosthetics around the jaw line which aren’t particularly subtle. They were violent gangsters who terrorised the East End Ronnie was gay and sadistic he had sex with politicians, compromising the Establishment.
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Scandal catalogued the exact same era, to better effect. The Kray Brothers, already eulogised in 1990’s The Krays with similar stunt casting of the Spandau Ballet brothers Martin and Gary Kemp, are renowned for personifying a particularly London mix of sex, violence and politics in the Swinging Sixties. Critical attention and word of mouth is likely to be nuanced, and the film is over-long at 131 mins, but the 1960s-London milieu and the legend of the Krays is always good for publicity in the UK, even if some commentators may object to the production’s glossily-stylish rendition of two violent criminals. ( Bronson fans will certainly see glimpses of the actor they admire). Premiering at Toronto before opening in the UK through StudioCanal and onto the US via Universal on October 2, Legend’s commercial success will rest on the actor, riding high on the success of Mad Max: Fury Road, and he delivers a sufficiently flashy dual-performance to usher this into a good opening week and mid-range VOD success. Helegeland’s script is far more convincing when it requires Ron or Reg to yell ‘shut up you c***t’ at each other, and Legend certainly delivers on this front “And I have to run up massive hills, hating you.The casting of the ever-intriguing Tom Hardy as violent 1960s London villains Ronnie and Reggie Kray in Brian Helegeland’s biopic Legend was the film’s main selling point through its pre-production process and his gutsy, typically physical performance as the terrorising twins remains its calling card at the end of 131 lengthy minutes of lurid Cockney drama. Tomuri, ever the masochist, was equally cheerful in his response. How do I look like I’ve done squats? I’ll wear three pairs of tracksuit trousers under my leather suit.”Įver the optimist (or is it sadist?), Hardy could see the upside in the situation: “The good thing about it is I know that Jakey has to make his legs as atrophied as mine if he works with me and I want to wear shorts, which,” he said with a grin, “I’m thinking of doing.” “I remember on The Revenant, what was it? Double leather pants?” he said, of Hardy’s turn as a desperate fur trapper alongside Leonardo DiCaprio in Alejandro Iñarritu’s 2015 film, for which Hardy received a best supporting actor Oscar nomination ( losing a tattoo-based bet to DiCaprio in the process which he has now made good on). But as these exclusive extra comments reveal, Tomuri wasn’t done.
#Legend tom hardy interview movie
I skipped leg day for about 43 years,” Hardy told Esquire, in an interview that took place in late June in Cardiff, where he and Tomuri are currently filming martial arts movie Havoc for Netflix. “Jacob fondly points out my legs are really skinny. Tomuri, for his part, likes to point out that what he himself might lack in trapezius muscles, Hardy lacks in hams. Other revelations were perhaps more surprising: at one point in the interview Hardy and Esquire were joined by his long-time stuntman Jacob Tomuri, at which point Hardy revealed – to Tomuri’s chagrin – that Tomuri had to wear a specially constructed onesie under his suit when doubling as him on 2015 Kray twins movie Legend in order to replicate Hardy’s shoulder line. (Let’s hope that Sony has its merch plan in place as there are already versions for sale on Etsy.) © Sunset Boulevard - Getty Images Among the titbits that there weren’t quite room for in the profile of the actor, star of the imminent Venom: Let There Be Carnage, was his confirmation that the dark-sleeved Detroit Lions NFL varsity jacket worn by his human character, journalist Eddie Brock, in the new movie is a purposeful nod to the one worn by Eddie Murphy’s Axel Foley in the later Beverly Hills Cop movies. Tom Hardy, as you’ll know if you’ve seen Esquire’s current cover, is a man who scrubs up pretty well, so it’s no surprise that some style matters cropped up in the accompanying interview.
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He also opened up about a wardrobe hack he used while shooting The Revenant